Organisers: Gabriele Balbi (USI, Switzerland), Luca Barra (University of Bologna, Italy), Paolo Bory (USI, Switzerland), Simone Dotto (University of Udine, Italy), Giuliana Galvagno (University of Turin, Italy), Simone Natale (Loughborough University, UK)
The term “myth” resonates widely in the foundations of European cultural and media studies, particularly in the intellectual legacy of French semiotician Roland Barthes, who described “modern mythologies” as the dominant ideologies of our time (Barthes 1957). More recently, Vincent Mosco emphasised how, in the last decades, the myth of the digital revolution still animates individuals and societies by providing new paths “that lift people out of the banality of everyday life” (Mosco 2004, 3). Little attention, however, has been given to the question of what makes myths of the digital age different to mythologies of the past, and also how and to which extent these myths permeate contemporary societies. This is an important gap if one considers that myths have characterised the most diverse cultures across thousands of years, from ancient Greece with its narratives of gods and metamorphosis, to contemporary Silicon Valley in which the myth of singularity envisions transcendence and immortality as the result of the development of digital technologies.
As recently suggested by Ortoleva (2019), one way to look at this question is to consider how digital technologies have become both the subject of new forms of myths and the medium through which contemporary mythologies are shaped and disseminated. The aim of this conference is to critically scrutinize the topic of “digital myths” from this twofold perspective: on the one hand, retracing the narratives by which digital media are and have been told, from the enthusiasms about the ‘digital revolution’ to the recent panics about the Dark Web, online surveillance and fake news; on the other, looking at how new forms of mythologies emerge, co-evolve and are fostered by and within the contemporary media landscape, informed by the peculiar dynamics of digital communication.
The conference invites empirical and theoretical contributions that critically assess “digital myths” from one or both these angles. Potential topics may include but are not limited to:
– Predictions and vision about digital futures
– The time and temporalities of digital myths
– The spaces and geographies of digital myths
– The myth of a globally connected society in the digital age
– Digital networks and democracy: threat and promises
– The myth of the “digital revolution”
– The role of digital media and social media in the construction of the social imaginary
– Urban legends and popular beliefs in the digital age.
– Community, participation, interactivity as myths of the “digital society”
– Platformization and the logic of digital media platforms
– Digital media and moral panic
– Media and myths from a media archaeology perspective
– “Low intensity myths” in the contemporary media system
– Media representations of digital technologies
– Myths on the analogue/digital transition
Submissions should include an abstract (approximately 500 words), a short biographical note of the author/authors (100 words for each speaker) and should be sent to firstname.lastname@example.org by September 23, 2019.
Notifications of acceptance will be sent to authors by October 7, 2019.
A 200 Chf (approx. 200 USD – 180 euros) registration fee will be applied (lunches and coffee breaks included).