the imnn members publish (alphabetical order, the selected publications deal explicitly with the topic of nostalgia)
alastair bonnett | josh carney | claire coleman | gary cross | sophie dufays | emmanuelle fantin | sébastien fevry | michael d. dwyer | ross garner | tim van der heijden | amy holdsworth | ekaterina kalinina | mirjam kappes | emily keightley | ryan lizardi | manuel menke | katharina niemeyer | gilad padva | michael pickerig | milica popovic | dominik schrey | sabine sielke | tim wildschut| kathleen williams
(2010) Left in the Past: Radicalism and the Politics of Nostalgia. New York: Continuum.
(2015) The Geography of Nostalgia: Global and Local Perspectives on Modernity and Loss. London: Routledge.
2014. “Re-creating history and recreating publics: the success and failure of recent Ottoman costume dramas in Turkish media.” In European Journal of Turkish Studies, 19.
(2016) ‘Indie folk’s bowerbirds: Nostalgia and contemporary singer-songwriters’, in J.A. Williams and K. Williams (eds) The Singer-Songwriter Handbook,New York City, Bloomsbury Academic.
(2014) ‘”The wild blue yonder looms”: Joanna Newsom’s wildness’, Social Alternatives, 33 (1), pp. 60-66.
(2015), Consumed Nostalgia: Memory in the Age of Fast Capitalism. Columbia University Press.
(2014) El niño en el cine argentino de la postdictadura (1983-2008). Alegoría y nostalgia. Woodbridge, Tamesis.
(2016) Infancia y melancolía en el cine argentino, de La ciénaga a La rabia. Buenos Aires: Biblos.
(2016) ‘Voces infantiles, canciones populares y familias descompuestas en La vida según Muriel y Valentín’. Bulletin of Hispanic Studies, vol. 93.7, pp. 783-803.
(2014) ‘Anti-nostalgia in Citroen’s advertising campaign’, in Niemeyer, Katharina (dir.), Media and nostalgia – Yearning for the past, the present and the future, Palgrave Macmillan: Basingstoke, 2014, pp.95-104
(2015) ‘Les Trente Glorieuses dans la publicité française: entre témoignage mémoriel et fantasme nostalgique’, Modern and Contemporary France, special issue on Media, Memory & Nostalgia, Vol.23, 2, pp. 147-161.
(2015) ‘Of Time and the City de Terence Davies: nostalgie de la mémoire ouvrière et introspection sociologique à l’écran’. Cinergie, il cinema e le altre arti, 8, p. 12-22.
(2014) ‘Entre mémoire nationale et mémoire familiale. Les films de la vague sépia sous la France de Nicolas Sarkozy’. Cahiers Mémoire et Politique. Médias en jeu, enjeux de mémoires, p. 67-85.
(2015) Back to the Fifties: Film and Pop Music in the Re-Generation. New York: Oxford University Press.
(2012) ‘The Same Old Songs’ Alphaville Journal of Film and Screen Media. Issue 3 , http://www.alphavillejournal.com/Issue%203/PDFs/ArticlesPDF/ArticleDwyer.pdf
(2012) “Raphael Saadiq’s Soul Memory.” In Media Res. August 30, http://bit.ly/IMRdwyer
(2017) Nostalgia, Digital Television and Transmediality. New York, Bloomsbury.
(2014) ‘Celebrating and critiquing “past” and “present”? The intersection between nostalgia and public service discourses in BBC1’s Ashes to Ashes’. In: D Machin (ed.) Visual Communication. Berlin, De Gruyter, pp. 405-425.
(2013) Remebering Sarah Jane: Intradiegetic allusions, embodied presence/absence and nostalgia. In: M Hills (ed.) New Dimensions of Doctor Who: Adventures in Space, Time and Television. London, IB Tauris, pp. 192-215.
(2013) Nostalgia and post-2005 British time travel dramas: A semiotic analysis of a television genre cycle. PhD Thesis, Cardiff University.
(2015) ‘Technostalgia of the Present: From Technologies of Memory to a Memory of Technologies’, NECSUS. European Journal of Media Studies, 4 (2), pp. 103-121.
(2014) ‘”Voor ik vergeet”. Spinvis en het potentieel van reflexieve technostalgie’, in: Andeweg, Agnes & Elisabeth Wesseling (eds.), Wat de Verbeelding niet Vermag! Essays bij het afscheid van Maaike Meijer. Nijmegen: Vantilt, pp. 130-135.
(2011) Television, Memory and Nostalgia. Basingstoke: Palgrave Macmillan.
(2010) Televisual memory. Screen, 51 (2), pp. 129-142.
(2010) Who do you think you are? Family history and memory on British television. In: Bell, E. and Gray, A. (eds.) Televising History: Mediating the Past in Postwar Europe. Palgrave Macmillan, Basingstoke, pp. 234-247.
(2008) “Television resurrections”: television and memory. Cinema Journal, 47 (3), pp. 137-144.
(2019): Reclaiming Identity: GDR Lifeworld Memories in Digital Public Spheres. In N. Maurantonio & D. Park (Hrsg.). Communicating Memory & History (pp. 243-260). New York, Frankfurt a. M.: Peter Lang. With Manuel Menke.
(2017) Beyond nostalgia for the Soviet past: Interpreting documentaries on Russian television. European Journal of Cultural Studies, Online first 20 January, pp. 1-22. DOI: 10.1177/1367549416682245
(2017). Becoming patriots in Russia: Bio-politics, fashion and nostalgia. Nationalities Papers, 45 (1), pp. 8-24. DOI: 10.1080/00905992.2016.1267133
(2016) What do we talk about when we talk about media and nostalgia? medien&zeit, 31(4), pp. 6-15 . Open Access Full Issue
(2016) The flow of nostalgia: Experiencing television from the past. International Journal of Communication, 10, pp. 5324 – 5341. DOI: 10.1093/screen/hjq007
(2016) Negotiating the past in hyperconnected memory cultures: Post-Soviet nostalgia and national identity in Russian online communities, International Journal for Media and Cultural Politics, 12 (1), pp. 57-72. With Manuel Menke. (Full paper available here: Link I or LinkII)
(2014) Multiple Faces of the Nostalgia Channel in Russia, The View. Journal of European Television History and Culture, pp. 100 – 107.
(2014) Mediated Post-Soviet Nostalgia. Stockholm: Elanders.
(2012) Retro Fashion: A Way to Deal with History and Construct Identities? Case Study of Denis Simachev, the Soviet Retro Fashion Brand, in Foltyn, J. L. (ed). Fashions: Exploring Fashion through Culture. Probing the Boundaries at the Interface Series. Oxford: UK; The Inter-Disciplinary Press, pp. 61-81.
(submitted) ‘Nostalgic reminiscence in today’s (digital) film culture’, in Pablo Abend / Bonner, Marc / Görgen, Katharina / Weber, Tanja (ed.) Just little bits of history repeating.
(submitted) ‘Nightly Tales: Jim Jarmusch’s nocturnal film poetics’, in Heboyan, Esther (ed.) The Cinema of Jim Jarmusch – A Sad and Beautiful World. Artois Presses Université.
(2015) Photography, Music and Memory: Pieces of the Past in Everyday Life. Palgrave Macmillan Memory Studies Series (in press). With Michael Pickering.
(2015) ‘Memory, Media and Methodological Footings’ in Hajek, A., Lohmeier, A. and Pentzold, C. Memory in a Mediated World. Remembrance and Reconstruction. Palgrave Macmillan. With Michael Pickering
(2014) ‘Retrotyping and the Marketing of Nostalgia’ in Niemeyer, K. (ed) Media and Nostalgia: Yearning for the Past, Present and Future. Palgrave MacMillan. With Michael Pickering
(2013) ‘Vernacular Remembering’ in Keightley, E and Pickering, M. (eds.) Research methods for Memory Studies. Edinburgh University Press. With Michael Pickering.
(2006) ‘Modalities of Nostalgia’. Current Sociology 54(6):919-941. With Michael Pickering.
(2007) ‘The past has two paths: Mnemonics of Loss and Gain’. Cahiers de Recherche Sociologique 44:83-97. With Michael Pickering.
(2014) Mediated Nostalgia: Individual Memory and Contemporary Mass Media, Lexington Press
(2014) “Scott Pilgrim vs. Hegemony: Nostalgia, Remediation, and Heteronormativity” in Superheroes and Identities, Mel Gibson, David Huxley, and Joan Ormond, eds., Routledge (updated journal article reprint)
(2014) “The Nostalgic Revolution Will be Televised” in Remake Television: Reboot, Re-use, Recycle, Carlen Lavigne, ed., Lexington books.
(2014) “The ‘Looking Into the Past’ Photographs: Comparing and Sharing the Past.” Visual Communication Quarterly (accepted for publication; forthcoming 2015).
(2021) The dark side of inspirational pasts: An investigation of nostalgia in right-wing populist communication. Media and Communication, 9(2), pp. 237–249. With Tim Wulf doi: 10.17645/mac.v9i2.3803
(2019) On the relativity of old and new media: A lifeworld perspective. Convergence: The International Journal of Research into New Media Technologies. With Christian Schwarzenegger. DOI
(2019) Reclaiming Identity: GDR Lifeworld Memories in Digital Public Spheres. In N. Maurantonio & D. Park (Hrsg.). Communicating Memory & History (pp. 243-260). New York, Frankfurt a. M.: Peter Lang. With Ekaterina Kalinina
(2018) Mediennostalgie in digitalen Öffentlichkeiten. Zum kollektiven Umgang mit Medien- und Gesellschaftswandel. Köln: Herbert von Halem.
(2018) “Diese positive Resonanz” – Mediennostalgie im Umgang mit Medien- und Gesellschaftswandel in digitalen Erinnerungsgemeinschaften. In C. Eilders, O. Jandura, H. Bause & D. Frieß (Hrsg.). Vernetzung. Stabilität und Wandel gesellschaftlicher Kommunikation (S. 168-187). Köln: Herbert von Halem.
(2018) Retro, Vintage, Nostalgie: Zur visuellen Kommunikation des Vergangenen und des Vergehens (S. 1-18). In K. Lobinger (Hrsg.) Handbuch Visuelle Kommunikationsforschung. Wiesbaden: Springer VS. With Katharina Niemeyer (Full paper available here: Link)
(2017) Seeking Comfort in Past Media: Modeling Media Nostalgia as a Way of Coping with Media Change. International Journal of Communication, 11, pp. 626-646. Open Access Article
(2016) medien&zeit Special Issue: Media, Communication and Nostalgia. medien&zeit, 31(4). Co-edited with Christian Schwarzenegger Open Access Full Issue
(2016) Media, Communication and Nostalgia. Finding a better tomorrow in the yesterday? medien&zeit, 31(4), pp. 2-5. With Christian Schwarzenegger Open Access Full Issue
(2016) Negotiating the past in hyperconnected memory cultures: Post-Soviet nostalgia and national identity in Russian online communities, International Journal for Media and Cultural Politics, 12 (1), pp. 57-72. With Ekaterina Kalinina. (Full paper available here: Link I or Link II)
(2018) Retro, Vintage, Nostalgie: Zur visuellen Kommunikation des Vergangenen und des Vergehens (S. 1-18). In K. Lobinger (Hrsg.) Handbuch Visuelle Kommunikationsforschung. Wiesbaden: Springer VS.With Manuel Menke (Full paper available here: Link)
(2016) Niemeyer, Katharina, « Désigner l’âge d’or : médias et nostalgies d’un espace et d’un temps (a)dorés », Le Temps des medias, no. 27, Age d’or.
(2016) Niemeyer, Katharina, « Digital Nostalgia », Media Development, Vol. 4/2016.
(2016) Niemeyer, Katharina, ‘Nostalgie’, Encyclopédie critique du témoignage et de la mémoire, online.
(2015) A theoretical approach to vintage: from oenology to media, European Journal of Media Studies, Autumn 2015.
(2014 ed.) Media and Nostalgia – yearning for the past, present and future, Basingstoke, Palgrave Macmillan
(2014) with Daniela Wentz, ‘Nostalgia is not what it used to be : serial nostalgia and nostalgic televison series’, in Niemeyer, Katharina (ed.) , Media and Nostalgia – yearning for the past, present and future, Basingstoke, Palgrave Macmillan, p. 129-139.
(2014) Queer Nostalgia in Cinema and Pop Culture, Basingstock, Palgrave Macmillan.
(2014 ed.), with Nurit Buchweitz, Sensational Pleasures in Cinema, Literature and Visual Culture: The Phallic Eye, Basingstock, Palgrave Macmillan.
(2012) Sex, Drugs and Rock ‘n’ Roll: Authentic Fabrication and Original Reproduction of the Sixties [in Hebrew]. Motar 19-20: 59-65.
(2008) with Miri Talmon, Gotta Have An Effeminate Heart: The Politics of Effeminacy and Sissyness in a Nostalgic Israeli TV Musical. Feminist Media Studies 8(1): 69-84.
(2007) A Yiddish Diva! Requiem for a Fabulous Woman in Avraham Heffner’s Film Laura Adler’s Last Love. Women & Language 30(1): 30-31.
(selection of publications)
Books
(2015) Photography, Music and Memory: Pieces of the Past in Everyday Life. Palgrave Macmillan Memory Studies Series (in with Emily Keightley).
(2013) Research Methods for Memory Studies. Edinburgh University Press (with Emily Keightley).
(2012) The Mnemonic Imagination. Palgrave Macmillan Memory Studies Series (with with Emily Keightley)
Articles
(2006) ‘Modalities of Nostalgia’. Current Sociology 54(6):919-941 (with Emily Keightley).
(2007) ‘Les Deux Voies du Passé: Le Ressouvenir, Entre Progrès et Perte’ [The Past Has Two Paths: Mnemonics of Gain and Loss’, Cahiers de Recherche Sociologique, 44, September, pp. 83-96 (with Emily Keightley).
(1983) ‘“Good News from Home”: Notes on the Problem of Identification in Song Performance and Reception’, Folk Song Research, 1:4, March, pp. 39-41.
Book chapters
(2015) ‘Memory, Media and Methodological Footings’ in Hajek, A., Lohmeier, A. and Pentzold, C. Memory in a Mediated World. Remembrance and Reconstruction. Palgrave Macmillan (with Emily Keightley).
(2014) ‘Retrotyping and the Marketing of Nostalgia’ in Niemeyer, K. (ed) Media and Nostalgia: Yearning for the Past, Present and Future. Palgrave MacMillan (with Emily Keightley).
(2013) ‘Vernacular Remembering’ in Keightley, E and Pickering, M. (eds.) Research methods for Memory Studies. Edinburgh University Press (with Emily Keightley).
(1987) ‘The Past as a Source of Aspiration: Popular Song and Social Change’ in M. Pickering and T. Green eds. Everyday Culture , pp. 39-69.
(2015) ‘La Yougonostalgie – la Yougoslavie au regard des derniers pionniers’. Etudes Balkaniques 19/20, Cahiers Pierre Belon, Paris: Association Pierre Belon, p. 305-323.
(2015) ‘La Yougoslavie au regard des derniers pionniers‘, Notes – Fondation Jean Jaurès.
(2014) ‘Jugonostalgija – Jugoslavija kao metaprostor u suvremenim umjetničkim praksama (Yugonostalgia – Yugoslavia as a meta-space in contemporary art practices)’, co-authorship with Petra Belc, Život umjetnosti 94.
(2013) ‘(Bivša) Jugoslavija u očima posljednjih pionira‘, Zarez.
(2012) ‘La Yougonostalgie : à la recherche de la patrie perdue‘, Revue Regard sur l’Est.
dominik schrey
(2015) ‘Nostalgie’ and ‘Nostalgiefilm’, in: Wulff, Hans J. (ed.), Lexikon der Filmbegriffe, Kiel: CAU-Kiel, online: http://filmlexikon.uni-kiel.de
(2015) ‘Retrofotografie. Die Wiederverzauberung der digitalen Welt’, in Medienwissenschaft. Rezensionen, Reviews 1/2015, p. 9-26.
(2014) ‘Analogue Nostalgia and the Aesthetics of Digital Remediation’, in: Niemeyer, Katharina (ed.), Media and Nostalgia. Yearning for the Past, Present and Future, Basingstoke, Palgrave Macmillan, p. 27-38.
(2010) ‘Mediennostalgie und Cinephilie in Planet Terror und Death Proof’, in Böhn, Andreas and Kurt Möser (eds.), Techniknostalgie und Retrotechnologie, Karlsruhe: KIT Scientific Publishing, p. 183-195
Sielke, S. (2019). Retro Aesthetics, Affect, and Nostalgia Effects in Recent US-American Cinema: The Cases of La La Land (2016) and The Shape of Water (2017). Arts, 8(3), 87. MDPI AG. Retrieved from http://dx.doi.org/10.3390/arts8030087
(selection):
Wildschut, T., Bruder, M., Robertson, S., van Tilburg, W. A. P., & Sedikides, C. (2014). Collective nostalgia: A group-level emotion that confers unique benefits on the group. Journal of Personality and Social Psychology, 107, 844-863.
Wildschut, T., Sedikides, C., Routledge, C., Arndt, J., & Cordaro, F. (2010). Nostalgia as a repository of social connnectedness: The role of attachment-related avoidance. Journal of Personality and Social Psychology, 98, 573-586.
Wildschut, T., Sedikides, C., Arndt, J., & Routledge, C. (2006). Nostalgia: Content, triggers, functions. Journal of Personality and Social Psychology, 91, 975-993.
(pending) ‘Internet Killed the Video Store: Video Stores, Cultural Memory, Nostalgia and Fandom’, in R. Williams (ed.), Transitions, Endings and Resurrections in Fandom, University of Iowa Press.
(pending) ‘Eulogies for the Video Store: Remembering the Practices and Objects of the Australian Video Store’.
2015 ‘Extended Attractions: Recut Trailers, Film Promotion and Audience Desire’, in AA Klein and RB Palmer (eds.), Cycles, Sequels, Spinoffs, Remakes and Reboots: Multiplicities in Film and Television, University of Texas Press: Austin, pp. 260-276.
2015 ‘Directed By….: Anticipatory Nostalgia in ‘What If’ Posters’ In Media Res, 13 April. Available: http://mediacommons.futureofthebook.org/imr/2016/04/13/directed-anticipatory-nostalgia-what-if-posters
2014 ‘The Recut Trailer as Networked Object: Anticipation and Nostalgia in the YouTube Era’, PhD Thesis. University of New South Wales. Available: https://www.academia.edu/10133924/The_recut_trailer_as_networked_object_Anticipation_and_nostalgia_in_the_YouTube_era
2013 ‘Recut Film Trailers, Nostalgia and the Teen Film’, in KM Barton and JM Lampley (eds.), Fan Culture: Essays in Participatory Fandom in the 21st Century. McFarland Press: Jefferson, NC, pp. 47-60.
2012, ‘Fake and Fan Film Trailers as Incarnations of Audience Anticipation and Desire’, Transformative Works and Cultures 9. Available: http://journal.transformativeworks.org/index.php/twc/article/view/360/284
IMNN 